Using the framework of traditional Chinese landscape painting in a contemporary context, Weihui is interested in time and the loss in its passage, translucency and ancestral memory, image reproduction and degradation, and the land itself as something alive and prescient, capable of grief as much as we are capable of empathy. Moving between painting, installation and printmaking, she is committed to slow, embodied practices, both in resistance to the technological speed of modern-day image production and consumption, and as a mode of restoration and healing. 


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