WEIHUI LU

WEIHUI LU

  • in
    • between these bars I find my own tongue (2026)
    • the sound of the room breathing (2026)
    • when there is no longer a danger of frost (2025)
    • Heartwood (2025)
    • Solstice (2024)
    • the wind in your eye (2024)
    • Altar (2023)
    • The End of the World is Forever (2021)
  • out
    • Requiem (2022)
    • Requiem II (2022)
    • Embrace (2022)
    • Crossroads (2022)
    • Each of us, a monolith (2022)
    • Monument to the unseen (2026)
  • given
    • Three attempts to meet a river at its brink (2025)
    • To Ashes (2024)
    • Cycles (2023)
  • image
    • Nuwa Mends the Sky (2023)
    • Arteles (2022)
  • about
  • contact
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Altar (detail) | 2022

Linocut on fabric

5" x 7"


This linocut is based off a black and white film photograph by my grandfather, that I had discovered in an old family album. Despite being the first one in his family to embrace "the West" -- from setting up a home darkroom, to studying ophthalmic surgery techniques and introducing them to China -- it was fascinating to me how quintessentially Chinese the image was, harkening back to traditional landscape paintings in both composition and content. As I spent my days wandering through the Finnish countryside and making linocuts of what I saw, I kept thinking about the relationship between a landscape and its people, and the scale of time and physical presence that is necessary for a sense of belonging.